Showing posts with label On-U Sound Records. Show all posts
Showing posts with label On-U Sound Records. Show all posts

Thursday, November 9, 2023

CULTCHA Clash Outer National Record Review: Creation Rebel - Hostile Environment (On-U Sound)

 

CULTCHA Clash Outer National Record Review:

Creation Rebel - Hostile Environment 

(2023 On-U Sound Records)

Selecta J-Cut




Back with their first album in over forty years, On-U Sound's original house band, Creation Rebel is back with a vengeance. 

With an album titled after former Prime Minister Theresa May's heavy-handed immigration policy, the band who originally formed to back the late Prince Far I on his European tour and went on, along with with Adrian Sherwood, to spark a punky reggae revolution in the U.K. with the developement of On-U Sound, is dread in every sense. Serious music for serious times.

Original members Crucial Tony (guitar), Charlie 'Eskimo' Fox (drums / vocals), and Mr. Magoo (percussion / vocals) come together (Keith 'Lizard' Logan, their original bassist has passed but is present in tribute, a print of his image adorns the insert) with bass player, Kenton 'Fish' Brown and keyboardist Cyrus Richards for the album. Of course, Sherwood is at the controls!





It was pressed on yellow vinyl and the A side is set off by Swiftly (The Right One) which, fittingly, features vintage vocals from Prince Far I as well as the conscious singing of Mr. Magoo. Production is crisp and the players are tight.

Stonebridge Warrior is a version, or instrumental, it's steppers type beat drives the track that treads the line between dub reggae and jazz. Quite sophisticated when juxtaposed with the groups early work.

Drummer, Eskimo Fox steps up to the mic for Under Pressure, singing, deejaying and generally nicing up the tune.




That's More Like It is a dub, the instrumentation is spacious, leaving plenty of room for Sherwood's mix-board wizardry and sound effects. The spaced-out psychedelia present in earlier work from the group, like Starship Africa, is captured on this track.

Jubilee Clock rounds out the first side on a strong note, another steppers type track with peaking bass, play it loud!




This Thinking Feeling sets off side B with pure fire, pairing posthumous Prince Far I lyrics with lyrical assassin, Daddy Freddy, who has collaborated on a few On-U releases, of late.

Another Mr. Magoo vocal track, Whatever It Takes is an uplifting one accentuated by Dean Fraser's saxaphone and trumpet by Okiel McIntyre.

The jazz infused Salutation Gardens Crown Hill Road is a dub with haunting keys and space age reverb and delay that the label has become known for.

Gaudi is the guest synth player for The People's Sound (Tribute To Daddy Vego), another heavy dub version with all of it's players in top form.

The final cut is Off The Spectrum,  ending the LP in a fine style. From the tip-top to the last drop, this one is a winner.

Here's an interview from On-U Sound with the group discussing the new album.




Monday, December 14, 2020

CULTCHA Clash Outer National Record Review: D.A.B. David Asher Band - D.A.B.

 



CULTCHA Clash Outer National Record Review

D.A.B. (David Asher Band) - D.A.B.
(2021 DAB David Asher Band, Temple Gong Recordings)


Set for physical release on January 1, 2021, to get the new year started off right, is the self titled debut LP from D.A.B. (David Asher Band). Hailing from Detroit, MI, David is no new-comer to music making, having spent over 30 years leading reggae / rock band, The Process.
The group consists of David Ivory on guitar, William Petzold on bass, organ and backing vocals, Derick Davis on drums & percussion, and David Asher handling vocals, guitar, piano and various other roles, as well as various guests and contributors, including U.K.'s legendary dub-master and producer extraordinaire, Adrian Sherwood.

A version of Curtis Mayfield's "Keep On Moving" gets things started, followed by a Gregory Isaacs cover, "Give A Hand" featuring guest, Mike Cooper, on lap steel guitar. An awesome remake with a brief taste of David's raggamuffin lyrical flow.

"47 Shots (The Ballad Of Milton Hall)" tells an all-too-common story of unjust death at the hands of law enforcement. This particular story is about Milton Hall, a mentally ill man who was killed on July 1, 2012 in Saginaw, MI for stealing a cup of coffee, no federal charges were filed against the nine officers who fatally shot him 11 times, as is too frequently the case when it comes to police brutality. One thing that I love about reggae music is the social consciousness, and the artist's ability to tell dire tales of reality, strife and desperation, bringing attention to injustice while simultaneously emanating positive vibes and soothing the soul... the horn arrangement by Nicholas Peña greatly contribute to that juxtaposition on this tune. 

Another cover, and a childhood favorite of mine, "Knockin' On Heaven's Door," written by the great Bob Dylan, is the next track, in a rub-a-dub style.

"Keep A Little Faith" is a David Asher original and the first tune released on the D.A.B. ReverbNation page, an uplifting message to hold tight, especially during these trying times.


"Deputy Dawg and the Marshall" is an original, co-written by William Petzold, and another real-life tale of violence committed in the name of the law.

The most unique cut on the album, to me, is "There's A Fire," written by Asher. The down beat drives the tight, electronic feel of the rhythm and the percussion and horns are, well... fire! Heart-felt lyrics top it off quite nicely, too.

"Donkey Jawbone (On-U Sound Mix)" was originally recorded by The Process in 1992, re-recorded and brought to Ramsgate for the mix by Mr. Sherwood. The CD includes an instrumental version, too.

The final tune is a lovers rock duet with Mikki Sound, "Love Ballad (On-U Sound Mix)" covers the Skip Scarborough written r & b hit for the reggae lovers. There's also an instrumental version of this featured on the CD.

Overall, the album is a solid debut and David continues to be an inspiration to CULTCHA Clash Outer National (it was his request that I review the 2016 The Process album, Who Is That Mad Band?, which was the impetus of establishing the "digital zine" aspect of C.C.O.N.). It will be available on vinyl, CD and digitally, pre-order at Bandcamp.






David Asher was recently a guest on Duburbia Podcast with Selecta J-Cut discussing the making of the album as well as the history of The Process, check it out below.